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Joined 2 years ago
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Cake day: August 11th, 2024

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  • I disagree. Anyone working in a skilled profession can attest to the number of people who come to them saying that they have this “great idea” for you to work on, for free. It’s never a great idea. Skilled professional have their own great ideas, and that’s often the motivator for acquiring new skills to make those ideas possible.

    Lowering the bar between idea and implementation, in a capitalist, surveillance/attention-based, target-marketed world further incentivizes low-effort, high-engagement practices and likely shrinks the space for high-effort markets.

    Meanwhile the tools “lowering the bar” are rent-only or need hardware that is quickly becoming unaffordable. Silicon Valley’s only play is enshittification. If it actually is successful it’s only a matter of time before they switch from growth mode to profit mode and it’s google search all over again but this time you’re paying a monthly fee. If you want to have an idea of how that works out ask an adobe user-- and those were products that were already profitable. There is no way people are willing to pay the actual cost of ai, it will need to be extracted. The rest is externalities.








  • Not that I know of, unless self-hosting. I’ve gone back to ripping CDs and sometimes buying DRM-free HQ audio. Probably getting my purchases profiled, but at least I can download it and no one else has to know when, what, & how much I’m listening to.

    For easier access I have a Jellyfin server on my home network. I plan to switch to navidrome or similar for a better, dedicated music experience as well as setting up secure access over the internet for me and my friends and family.




  • Beyond the obvious problem of paying but not owning, it’s impossible to watch/listen without that data being stored on a massive corporation’s server and likely sold to hundreds of advertisers. Last I saw Spotify had over 300 venders they share data with. I’ve seen sites with over 1000.

    So you’re not only paying for something you don’t own, but you’re also paying to have a larger profile in the surveillance capitalism machine.


  • I didn’t read the article, so I’m not sure how hung up they are on physical media, but the title is about owning vs renting/subscriptions. There are still places were digital copies can be purchased and downloaded to own, DRM-free. Personally, I prefer to store bits on HDDs and SSDs rather than CDs. Of course, that option is limited. Digital music can still be owned (eg bandcamp,Q-something,etc), same for audiobooks (shout out libro.fm), ebooks less so, but still possible and workarounds exist (deDRM).

    Movies and TV are where it really runs dry. There’s a few indie creators you can buy from directly, but for everything else, if you don’t want to have a bunch of dvd/blu-ray cases taking up space your only non-rent/subscription options are borrowing from the library (my jam, but a limited collection), or pirating.





  • If you want to do ANYTHING creative in a digital medium in 2026, you’ll be forced to pay them a monthly fee.

    This is giving Adobe too much credit. They suck, for sure, and are monopolistic and have set the industry back, but if people want to do creative things, there are manageable options outside of Adobe. Especially if you focus on alternative software for a particular niche (photography, illustration, compositing, etc).


  • pemptago@lemmy.mltoOpen Source@lemmy.mlYour notes. Your files. Your rules.
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    2 months ago

    I love FOSS and Obsidian is literally the only close-sourced software in my stack, but open source is not necessary to prevent enshittification, not if you have interoperability. As long as data is stored in md files, if the obsidian team makes bad moves people can pack up and migrate to logseq or other competitors. While the 3rd party plugins add enhancements that might bog down switching, many of those plugins are open source and could be ported.