75% of the anti-piracy discussions I see rarely blame companies like Nintendo or Disney and always try to talk about how piracy is immoral, and you should feel “dirty” for doing it. My question is why do people seem to hate those who pirate more than the bad practices of mega-corporations or the fact that they don’t want to preserve their media?
I think piracy is immoral but I still partake in it and I don’t hate anyone for doing so.
It’s like eating meat.
Why do you think piracy is immoral?
The only reason there’s content for us to pirate is because there are still people paying for it. If it weren’t for them, nobody would be spending millions on new movies or games. They’re the ones funding our content, and we’re just freeriding.
I think a good measure for morality is to imagine wether the world would be a better place if everyone acted as I do. In this case, I don’t think it would.
That’s a common misconception. But it’s not true. Artists will keep making art whether they’re paid or not. Anti-piracy rhetoric tends to come from large corporations (AAA game studios, movie studios, publishing houses, record labels) who demand ever-increasing profits, not from the artists themselves. The people who actually do the work to make games, movies, songs, books, whatever are basically never well-paid, instead their corporate overlords make all the profit and pay the people who actually make the art you enjoy as little as they can possibly get away with, just as with every other job under capitalism.
Pirating media does absolutely no harm unless you’re pirating from a small indie creator. But if you just want to play the latest Ubisoft slop or watch the latest Marvel movie, go ahead and pirate. The money you’d spend on them go straight into the pockets of wealthy executives, not to the artists who do the work.
I think it’s objectively a true statement that the vast majority of big budget hollywood movies, video games and TV-series would stop existing if nobody was paying for them.
Obviously not all media would go away. I’ve never gotten paid for my photography or YouTube videos because I’m not making them for money. Same applies to a ton of other content creators as well.
While your claim is true—big budget movies, etc., need someone to pay for them—the unspoken corollary you’re implying isn’t true—that without the current economic model, no-one would pay for big budget productions, or that undermining the current model via piracy will reduce the rate at which they are funded.
The current model is: massive corporate copyright-holders can purchase the right the profit from an artistic production. They pay for its production up front. Even though we have a technology that can costlessly copy these products and very cheaply distribute them to almost everyone who wants them, the copyright holders maximise their profits by a) crippling this capacity by spend considerable money, labor and human expertise on technologies that artificially limit copying, and b) use state-supported coercion (e.g., fines, lawsuits, police, etc), to punish individuals who would circumvent these crippling technologies. To be clear, these copyright holders still make massive profits, vastly beyond what any individual they are persecuting for copyright infringement could ever dream of. Their policing of piracy is to make even greater profits.
Even though this is how big artistic productions are funded today, it is not true that in the absence of this economic model, big artistic productions would not be funded. The demand for these products would still exist, and if there’s one thing our society excels at, it’s directing capital to meet demand.
Alternative models that could fund big artistic productions:
These are just some examples of the many possible alternative models for funding large art projects and deciding who should profit from them and how much. However the details aren’t nearly as important (many different models could work), as the ultimate driver: whether our actions/systems/laws enhance or undermine demand for the art.
Piracy does undermine the current (corrupt, exploitative, reprehensible) economic model but it also increases demand for the media it distributes more widely and equitably. It doesn’t, as you imply, reduce the likelihood of big budget media existing in the future, it increases the likelihood of it existing in a more fair and equitable way, that harness our ability to freely copy rather than crippling it for the benefit of the ultra-wealthy copyright-buyers.
I stand by what I said: if everyone pirated, no one would be making or funding big-budget movies because there would be no money to be made. Coming up with alternative payment systems for the media we consume is all well and good, but that’s not piracy - it actually just reinforces my point about paying being the moral thing to do. My argument isn’t that the current system is good; it’s that piracy wouldn’t be sustainable if everyone started doing it.
If everyone were doing it, it wouldn’t be piracy. It would be free, legal copying.
I just presented you with several models of how big budget movies could make money, even if everyone were freely, legally copying. You haven’t responded to that argument, you’ve merely ignored it and insisted on your original point.
Eating animals is much worse than piracy. The livestock industry is far more destructive.
The point was that both are morally wrong and I still keep doing it.